4K UHD + Blu-Ray

Cronos (4K-UHD)

Criterion

$63.90

Street Date:

Added to Cart! View cart or continue shopping.
Guillermo del Toro made an auspicious and audacious feature debut with Cronos, a highly unorthodox tale about the seductiveness of the idea of immortality. Kindly...

Guillermo del Toro made an auspicious and audacious feature debut with Cronos, a highly unorthodox tale about the seductiveness of the idea of immortality. Kindly antiques dealer Jesús Gris (Federico Luppi) happens upon an ancient golden device in the shape of a scarab, and soon finds himself the possessor and victim of its sinister, addictive powers, as well as the target of a mysterious American named Angel (a delightfully crude and deranged Ron Perlman). Featuring marvelous makeup effects and the haunting imagery for which del Toro has become world-renowned, Cronos is a dark, visually rich, and emotionally captivating fantasy.

“

You're going to Heaven covered in makeup. Your wife will think you've been with a whore!

- Funeral Director

Release Specs

Format
4K UHD + Blu-Ray
Genre
Drama, Fantasy
Sub-Genre
Horror, Thriller
No. of Discs
2
Region
Region Free 4k | Region A Blu-Ray
Special Features
  • New 4K digital restoration, supervised and approved by director Guillermo del Toro, with 2.0 surround DTS-HD Master Audio soundtrack
  • One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features
  • Optional original Spanish-language voice-over intro­duction
  • Two audio commentaries, one featuring del Toro, the other producers Arthur H. Gorson and Bertha Navarro and coproducer Alejandro Springall
  • Geometria, an unreleased 1987 short horror film by del Toro, finished in 2010, alongside an interview with the director
  • Welcome to Bleak House, a tour by del Toro of his home office, featuring his personal collections
  • Interviews with del Toro, cinematographer Guillermo Navarro, and actors Ron Perlman and Federico Luppi
  • Stills gallery captioned by del Toro
  • Trailer
  • PLUS: An essay by film critic Maitland McDonagh and excerpts from del Toro’s notes for the film