4K UHD + Blu-Ray

Don't Look Now

Criterion

Regular price $56.45
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Donald Sutherland and Julie Christie mesmerize as a British married couple on an extended trip to Venice following a family tragedy. While in that elegantly...

Donald Sutherland and Julie Christie mesmerize as a British married couple on an extended trip to Venice following a family tragedy. While in that elegantly decaying city, they have a series of inexplicable, terrifying, and increasingly dangerous experiences. A masterpiece from Nicolas Roeg, Don’t Look Now, adapted from a story by Daphne du Maurier, is a brilliantly disturbing tale of the supernatural, as renowned for its innovative editing and haunting cinematography as for its naturalistic eroticism and its unforgettable climax and denouement—one of the great endings in horror history.

My daughter is dead, Laura. She does not come peeping with messages back from the f**king grave! Christine is dead. She is dead! Dead, dead, dead, dead! Dead!

- John Baxter

Release Specs

Format
4K UHD + Blu-Ray
Genre
Drama, Horror
Sub-Genre
Mystery, Thriller
No. of Discs
2
Region
Region Free 4k | Region A Blu-Ray
Special Features
  • 4K digital restoration, supervised by director of photography Anthony Richmond, with uncompressed monaural soundtrack
  • One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features
  • Conversation between editor Graeme Clifford and film writer and historian Bobbie O’Steen
  • “Don't Look Now”: Looking Back, a short documentary from 2002 featuring Clifford, Richmond, and director Nicolas Roeg
  • “Don't Look Now”: Death in Venice, a 2006 interview with composer Pino Donaggio
  • Program on the writing and making of the film, featuring interviews with Richmond, actors Julie Christie and Donald Sutherland, and coscreenwriter Allan Scott
  • Program on Roeg’s style, featuring interviews with filmmakers Danny Boyle and Steven Soderbergh
  • Q&A with Roeg from 2003 at London’s Ciné Lumière
  • Trailer
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by film critic David Thompson